Sound is a decision.
Every one of them matters.
No llegué aquí por casualidad.
Llevo más de una década construyendo mi criterio proyecto a proyecto, desde Santo Domingo hacia el mundo. Soy Mixing & Mastering Engineer, Music Producer y Recording Engineer — y la razón por la que hago las tres cosas es simple: entender la música desde adentro me hace mejor ingeniero.
He trabajado con Warner Music, Sony Music e Interscope Records. Mis proyectos acumulan más de mil millones de streams. Tengo créditos en producciones nominadas al Latin Grammy. Soy miembro de la Recording Academy.
Pero lo que más me importa no es lo que está en mi currículum — es lo que sucede cuando abro una sesión. Ese momento en que el mix deja de ser una mezcla de elementos y se convierte en algo que se siente completo, competitivo y verdadero al mismo tiempo.
Si tienes un proyecto que importa, hablemos.
Four ways to work together.
A mix should translate everywhere — from the club to the car, from AirPods to a Dolby-certified theater. Every session is built around that standard: frequency decisions that serve the arrangement, dynamics that breathe without pumping, and a spatial image that holds together on any system. Fully ITB. Perfect recall. Remote delivery.
A professional final master — competitive, musical, and consistent — ready for streaming and release, and available as part of the Mix + Master workflow.
When mixing and mastering happen in the same session, from the same set of ears, the result is more coherent. There's no adjustment period between engineers, no translation loss between stages. This is the most requested service — and the one that produces the most consistent results from session to final master.
Production is where a song finds its identity before the mix begins. Arrangements built around the artist's instinct, not against it — genre-fluid, Latin-rooted, and shaped entirely around what the record is trying to be. Available as full production or co-production alongside the artist or their existing producers.